![]() When given moments that matter - an opening sequence, for example, that centers on raiding an abandoned convenience store and discovering a seemingly-wounded survivor - she mostly rises to the occasion, albeit hindered by some of the aforementioned silliness. It’s not Moretz’s fault that she’s served such weak tea. In The 5th Wave, it’s Cassie Sullivan, as played by the normally delightful Chloë Grace Moretz. One of those boxes: a scrappy young heroine who triumphs despite it all. Blakeson and screenwriters Susannah Grant, Akiva Goldsman, and Jeff Pinkner don’t seem to care much about telling the story. Worse still, it banishes them to expository monologues, taking huge character moments - moments of realization, terror, anger, and even joy - and condemning them to the overwrought speeches that pepper the script like the cars abandoned on silent highways across the world. Blakeson’s effort takes the silly, predictable nonsense and runs with it, leaving most of the good ideas behind in the dust.
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